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It didn’t matter that sometimes he was the Chief Minister of state, write, he would. Whatever be the demands of his daily life, Karunanidhi continued to write. For someone who wrote over 2 lakh pages in all his life, for someone who wrote perhaps the longest of serials Udanpirappe (To my Brethren – a letter that was serialised in Murasoli), writing was something he perhaps couldn’t live without. Writing had always remained his first love. The sequence where she points to the rubies scattered on the floor and calls it the ‘bloody teardrops of Dharma’ perhaps best illustrates Karunanidhi’s keen political acumen.
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Even while handling mythology like Silapathikaram in the movie Poompuhar (1964), Karunanidhi had protagonist Vijaya Kumari (playing Kannagi) deliver powerful dialogues in lengthy sequences. In film after film, Karunanidhi wrote stinging, politically loaded dialogues that conveyed very strong messages. In other films like Panam and Thangaratnam, Karunanidhi had messages like widow remarriage, self-respect marriages, abolition of untouchability, etc. Karunanidhi’s attempt to use cinema as a vehicle to propagate Dravidian ideals didn’t stop with Parasakthi.
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Of the 40 Tamil films that Karunanidhi wrote, Sivaji starred in 9 and MGR in 8. Interestingly, the two greatest stars of our times – MGR and Sivaji Ganesan – were launched by Karunanidhi’s pen. Before Rajakumari, MGR had done a slew of insignificant films. He debuted as scriptwriter in Rajakumari (1947) – the movie that would launch the iconic MG Ramachandran as hero. Karunanidhi was in his twenties when he began working in Tamil films. With his immensely powerful, rationalist dialogues, delivered to a T by the debutant Sivaji Ganesan, Karunanidhi owned the film as much as the former did. It also speaks about Muthuvel Karunanidhi – its indefatigable scriptwriter – and who, in a sense, was also the hero of the film. This speaks volumes not just about its lead actor – Sivaji Ganesan – who went on to dish out more such memorable performances. The registered office of Kalaignar Tv Private Limited is at "ANNA ARIVALAYAM" 367,369, ANNA SALAI, TEYNAMPET, CHENNAI, Tamil Nadu.A good half century after it was released, Parasakthi (1952), one of the finest films ever produced in Tamil, could still evoke such strong emotions in viewers. The Corporate Identification Number (CIN) of Kalaignar Tv Private Limited is U92100TN2007PTC063806. Kalaignar Tv Private Limited has two directors - Amirtham and Srinivasan Elangovan. Also, as per our records, its last balance sheet was prepared for the period ending on 31 March, 2020. The last reported AGM (Annual General Meeting) of Kalaignar Tv Private Limited, per our records, was held on 31 December, 2020. The current status of Kalaignar Tv Private Limited is - Active. Other performance and liquidity ratios are available here. At the same time, it's book networth has decreased by -122.26 %. It's EBITDA has decreased by -25.33 % over the previous year. Kalaignar Tv Private Limited's operating revenues range is INR 1 cr - 100 cr for the financial year ending on 31 March, 2015. It's authorized share capital is INR 15.00 cr and the total paid-up capital is INR 10.01 cr. It is classified as a private limited company and is located in Chennai, Tamil Nadu. Kalaignar Tv Private Limited is an unlisted private company incorporated on 06 June, 2007.